Jacqueline C. Charlesworth

Sophisticated copyright and entertainment attorney with deep music industry expertise

Jacqueline Charlesworth, former general counsel of the U.S. Copyright Office, is a nationally known litigator and entertainment attorney who represents clients in a wide range of copyright disputes, transactions and termination matters, with a particular focus on music. Her client roster includes songwriters and recording artists, leading trade associations, and music and media companies. She represents clients in matters before the Copyright Office, federal district and appellate courts, and the U.S. Supreme Court.

As general counsel of the U.S. Copyright Office, Jacqueline had primary responsibility for interpretation of the U.S. Copyright Act and managed a wide range of litigation, regulatory, and policy matters, including the Office’s participation in Supreme Court cases. She has also practiced at top-tier law firms and served as general counsel of the National Music Publishers’ Association and The Harry Fox Agency.

Jacqueline was named a Woman Executive of the Year by Billboard magazine for her role in helping to craft and secure passage of the Music Modernization Act, landmark legislation that created a centralized licensing system for online music services in the United States. She is also a recipient of a Vanguard Award for IP from the California Lawyers Association, among other honors.

REPRESENTATIVE CASES AND PROCEEDINGS
Satisfaction Fulfilled Ltd. v. Sony Music Publishing LLC (Southern District of New York)

Represented Malcolm McLaren’s publisher and Peermusic (UK) Ltd. in copyright ownership dispute regarding sample of McLaren work in Lizzo’s hit song “About Damn Time.” (Confidential settlement)

Champlin v. Music Sales Corp. d/b/a Wise Music and Wise Music Group Ltd. (Southern District of New York)

Represented songwriter William Champlin in copyright termination litigation involving Earth, Wind & Fire’s “After the Love Has Gone.” (Confidential settlement)

Henley v. DeVore (Central District of California)

Represented Don Henley, Mike Campbell, and Danny Kortchmar in copyright infringement case arising from politician’s use of famous songs “Boys of Summer” and “All She Wants to Do Is Dance” in political ads, winning summary judgment against defendants’ fair use defense.

Planner 5D v. Meta Platforms, Inc. (Northern District of California)

Represented Planner 5D in copyright and trade secret litigation alleging unauthorized acquisition and use of copyrighted three-dimensional digital works for machine learning purposes. (Confidential settlement)

Viacom International, Inc. v. YouTube, Inc. (Southern District of New York)

Represented music publishers in case against YouTube and its parent company Google alleging mass infringement due to posting of user-generated content containing copyrighted music. (Confidential settlement)

Eighth and Ninth Section 1201 Triennial Rulemaking Proceedings (U.S. Copyright Office)

Represented the Association of American Publishers in regulatory proceedings before the Copyright Office to determine nature and scope of exemptions to anticircumvention provisions of section 1201 of the Copyright Act.

Amicus Participation

Filed amicus briefs on behalf of various parties in Cox Communications, Inc. v. Sony Music Entertainment (S. Ct.); Fourth Estate Public Benefit Corp. v. Wall-Street.com (S. Ct.); Hachette Book Group, Inc. v. Internet Archive (2d Cir.); Brammer v. Violent Hues Productions, LLC (4th Cir.); Dr. Seuss Enterprises, LP v. ComicMix LLC (9th Cir.); Valancourt Books, LLC v. Garland (D.C. Cir.); Thomson Reuters Enterprise Centre GmbH et al. v. Ross Intelligence Inc. (3d Cir.); Concord Music Group, Inc. et al. v. Anthropic PBC (N.D. Cal.).

REPRESENTATIVE CLIENTS

Current and former clients include A&E, Tracy Anderson, Association of American Publishers, David Goodloe Barrett, Mike Campbell, William Champlin, The Copyright Alliance, Don Henley, Estate of Donna Summer, Mike Judge, Danny Kortchmar, Martha (Martha and the Motels), Motion Picture Association, National Music Publishers’ Association, News/Media Alliance, Partisan Records, Peermusic, Reach Music Publishing, Salt-N-Pepa, Songwriters of North America, The Walt Disney Company, Blythe Woods.

AWARDS AND HONORS 

IP Vanguard Award, California Lawyers Association (2026)

Billboard Women in Music Hall of Fame Executive (2019 through 2026)

Forbes “50 Over 50” list (2022)

California Copyright Conference Apollo Award (2021)

Billboard Women in Music Executive of the Year (2018)

Library of Congress Award for Distinguished Service (2016)

Association of Media and Entertainment Counsel Public Service Counsel of the Year (2006)

PROFESSIONAL ORGANIZATIONS AND ACTIVITIES

President, Los Angeles Copyright Society (2026-present); Trustee (2020-2026)

Visiting Lecturer, Yale Law School (2018-2019)

Member, ALAI (Association Littèraire et Artistique Internationale)-USA (2017-present)

Adviser, ALI Restatement of the Law, Copyright (2015-2025)

Leadership Music, Nashville, Tennessee (2014-2015)

Member, Recording Academy (2011-present)

Member, Copyright Society of the USA (2002-2020; 2023-2026)

SELECTED PUBLICATIONS

Generative AI’s Illusory Case for Fair Use, 27 Vand. J. Ent. & Tech. L. 323 (2025)
https://scholarship.law.vanderbilt.edu/jetlaw/vol26/iss4/7/

Rearrange, Transform, or Adapt: A Few Notes on Music, 47 Colum. J.L. & Arts 333 (2024)
https://journals.library.columbia.edu/index.php/lawandarts/article/view/13083

A Celebration of the Copyright Legacy of Register Marybeth Peters, 70 J. Copyright Soc’y 3 (2023) (remarks)
https://copyrightsociety.org/journal-entries/marybeth-peters-tribute/

A Call to Modernize the U.S. Music Marketplace, The Monetization of the Global Music Business – From Creators to Major Industry (2016) (book chapter)